Luxor theatre_rotterdam_christian richters

Luxor Theatre

Detail

TYPOLOGY: Cultural

COUNTRY: Netherlands

CITY: Rotterdam, Kop van Zuid

YEAR: 2001

COMPETITION: Competition 1996, 1st Prize

GFA: 24.000 sqm

CLIENT: City of Rotterdam

COLLABORATOR: Bureau Bouwkunde (local support office)

AWARD: Mies van der Rohe Award 2001 (Shortlist)

PHOTOS: © Christian Richters, © L5, © BOLLES+WILSON

The New Luxor Theatre faces both the Maas River and Rijn Harbour – A multiple orientation, a single wrapping facade, a 360° building. An internalised ramp allows three 18 m long trucks to park directly besides the first floor stage. The ramp roof provides an architectural promenade in the foyer. The Luxor auditorium seats 1500, a giant scaled musical instrument, a surprisingly ‘intimate room’. The Luxor facilitates with an appropriated spatial theatricality the well working of complex theatre logistics.

On the 11th of May 2011 BOLLES+WILSON’S Luxor Theatre in Rotterdam celebrated its tenth anniversary with a spectacular Gala show.
The evening also marked the retirement of Luxor director Rob Wiegman – the great Rob Wiegman without whom this building, this resounding and on-going cultural event would not have happened. Tributes abounded, speeches – emotional Actors, Performers, Politicians, Rotterdamers – Architects.

Luxor theatre_rotterdam_axonometric
Axonometric section
Luxor theatre_rotterdam_3d
Aerial perspective
Luxor theatre_rotterdam_christian richters
Main façade
Luxor theatre_rotterdam_christian richters
Back façade
Luxor theatre_rotterdam_christian richters
Waterfront façade
Luxor theatre_rotterdam_aerial view
Aerial view
Luxor theatre_rotterdam_collage
Collage
Luxor theatre_rotterdam_christian richters
Interior
Luxor theatre_rotterdam_christian richters
Auditorium
Luxor theatre_rotterdam
Auditorium detail
Luxor theatre_rotterdam
Anniversary Gala
Luxor theatre_rotterdam
May 2011
Luxor theatre_rotterdam_christian richters
Foyer
Luxor theatre_rotterdam_plan
First floor
Luxor theatre_rotterdam_plan
Second floor
Luxor theatre_rotterdam_section
Section
Luxor theatre_rotterdam_section
Section
Luxor theatre_rotterdam_christian richters
Street view at night

CITADEL + THRINON HENGELO NL. 2005

Detail

TYPOLOGY: Residential
COUNTRY: The Netherlands
CITY: Hengelo
YEAR: 2005
GFA: 25.000 m²
PARTNER: Bureau Boukunde, Rotterdam
PHOTOS: © BOLLES+WILSON

While paying our last respects to the soon to be demolished V&D department store in Hengelo we revisited our 2005 housing ensemble around the corner.

CITADEL + THRINON
(formally known as THIEMSLAND)
BOLLES+WILSON 1998–2005

The black + white volumes of the (now) Thrinon block soften into ‘De Stijl’ pixels as they turn the corner to the Citadel Park (block H)
Robust street facing black + white morphs into a soft green as the residential facades march into the Citadel Park (blocks I + G)
BOLLES+WILSON housing frames both sides of a pedestrian + bicycle boulevard on axis with the Neo-Renaissance City Hall (block G)
(block G)

Generous balconies in the three Citadel buildings overlook the expansive park.
Balcony planting signals happy occupants (blocks J + I)

(blocks I + G)
How to bring the not insubstantial Citadel block to an end? – with reeds and water (block J)
Plan elevation (block J)
Windows on the Citadel inner facade are either bedroom or bathroom scale (block J)
Saw-tooth balcony access on the inner facade of the Thrinon building (block H)
Apartment layout (block H)

Like all BOLLES+WILSON projects, the (then called) Thiemsland choreography
began with a hand sketch

Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters

Landscaping Hotel NY

Detail

TYPOLOGY: Landscape

COUNTRY: The Netherlands

CITY: Rotterdam – Kop van Zuid

YEAR: 2006

CLIENT: City of Rotterdam (dS+U), Hotel New York partner

PHOTOS: © Christian Richters

The former embarkation point for emigration to the New World – a ‘Holland/America’ theme. Two landscapes (intimate Dutch gardens and a prairie-like American event- space) are divided by a conceptual border. Large scale text (like a Steinberg drawing) is inlayed in the pavement. To date the Dutch side including the Hotel Terrace, Maaskant Pavilion, vent Funnels, playground and intimate Dutch gardens is complete. despite regular dockings of American warships the narrative landscape on the American side of the Dutch-Amerika border remains unexecuted.

Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Plan_Pavillon
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Christian Richters
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Siteplan_Lageplan
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Plan
Hotel New York_Rotterdam_Landscaping_Landschaftsplanung_Sketch_Skizze_Peter Wilson
Kaldewei entrance, Ahlen, Eingang, Rainer mader

Kaldewei Entrance

Detail

TYPOLOGY: Office

COUNTRY: Germany

CITY: Ahlen

YEAR: 2007

GFA: 550 sqm

CLIENT: Franz Kaldewei GmbH & Co. KG

PHOTOS: © Rainer Mader, Christian Richters

The small ‘signalising’ pavilion re-focuses and re-orients the visitors entrance to the main Kaldewei production plant. The pavilion stands like a bookend in relation to the original 1930s Works Facade of the leading manufacturer of enamel steel bathtubs. It connects to new reception spaces within the existing structure and to a planned administration wing.

The mass of the stone-clad volume projects acrobatically. Structural dexterity is not the issue, mass is here co-opted as a silent, announcing presence. The lobby behind is carved out of the existing volume. Meeting rooms hover above the entrance, the white stone of the new facade extends inwards as lobby floor and wall material. A steel spiral stair stands centre-stage and backlit by a dematerialised ‘Light Wall’. After the spatial expansion of the lobby, lower ceilings and an emphasized materiality of wood panels introduce a contrasting intimacy. The ‘Actor Stair’ leads the visitor through a short but complex spatial sequence. The spatial and material language here is closely related to that of BOLLES+WILSONs first Kaldewei building. – the nearby KKC (Competence Centre) 2003-2005.

Kaldewei entrance, Ahlen, Eingang, christian Richters
Kaldewei entrance, Ahlen, plan, Lageplan
Kaldewei entrance, Ahlen, stairs, treppe, Rainer mader
Kaldewei entrance, Ahlen, stairs, treppe, foto, rainer mader
Kaldewei entrance, Ahlen, stairs, treppe, foto, christian richters
Kaldewei entrance, Ahlen, stairs, treppe, foto, rainer mader
Kaldewei entrance, Ahlen, stairs, treppe, foto, christian richters
Kaldewei entrance, Ahlen, Eingang, treppe, foto, Rainer mader
Kaldewei entrance, Ahlen, Eingang, treppe, foto, Rainer mader
Kaldewei entrance, Ahlen, Eingang, treppe, foto, Rainer mader
Kaldewei entrance, Ahlen, Eingang, Rainer mader
Kaldewei entrance, Ahlen, plan florrplan, section
Kaldewei entrance, Ahlen, stairs, treppe, sketch, Skizze, Peter Wilson, drawing
housing at st sebastian_munster_roman mensing_north facade

Housing at St. Sebastian

Detail

TYPOLOGY: Residential
COUNTRY: Germany
CITY: Münster
YEAR: 2016
COMPETITION: 2009, 1st prize
GFA: 8.180 sqm
CLIENT: Wohn + Stadtbau GmbH
AWARDS: “Exemplary publicly funded residential projects” – North Rhine-Westphalia Regional Prize for Architecture,
Housing and Urban Development 2017
BDA Münster-Münsterland award for best buildings 2017,
honorable mention
PHOTOS: © Roman Mensing, BOLLES+WILSON

In 2009 BOLLES+WILSON won the 1st prize for housing and a kindergarten on the site of the 1960ies St Sebastian Church. It was expected that the emblematic oval form of the church be demolished. Instead the kindergarten colonized the nave. It was opened in 2013 – a much published reuse with interior green weather protected play decks.

2015 phase 2 was complete, a peripheral frame of housing protecting the kindergarten from a noisy street and giving a precise edge to the adjacent park.

Market realities are clearly visible in the differentiation of the social (subsidized) housing with its bright white and pink plaster facade to Hammer Str. and the owner-occupied flats with their noble dark brick facade facing the mature trees in the park.

One corner tree is explicitly embraced by the projecting white sheet of the street facade.

Only kitchen and bathroom windows are allowed to receive traffic noise; living rooms and balconies turn inwards to the quiet green space surrounding the kindergarten.

Unexpected colour animates the lift and stair tower and the setback roof apartments. This polychrome trope also animates the skyline of the park elevation. Here big white frames give a grand order, a vertical hierarchy. But ultimately it is the grandeur of the existing trees that claim the status of leading actors in the spatial choreography.

housing at st sebastian_munster_roman mensing_facade
Street façade embracing the tree
housing at st sebastian_munster_roman mensing_north facade detail
Façade facing the park
housing at st sebastian_munster_roman mensing_north facade
Façade and autumnal trees
housing at st sebastian_munster_roman mensing_kindergarten
Façade facing the kindergarten
housing at st sebastian_munster_roman mensing_facade
housing at st sebastian_munster_roman mensing_facade
housing at st sebastian_munster_roman mensing_kindergarten
housing at st sebastian_munster_roman mensing_facade
Dark brick façade detail
housing at st sebastian_munster_roman mensing_facade
Façade embracing the tree
housing at st sebastian_munster_roman mensing_siteplan
Siteplan
housing at st sebastian_munster_roman mensing_plan
Standard floor plan