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Korça City Centre Masterplan

Detail

TYPOLOGY: Masterplan
COUNTRY: Albania
CITY: Korça
YEAR: 2009
COMPETITION: 1rst Prize
CLIENT: Municipality of Korça
PHOTOS: © Roman Mensing, © BOLLES+WILSON

On Thursday 16 July 2009 the mayor and international jury pronounced BOLLES+WILSON winner of the competition for the new Korça City Centre Masterplan. The international two-stage competition was decided in favour of the Muenster based office for its concept of “Scenographic Urbanism”, a choreographing of new buildings and public spaces which pays close attention to the existing grains and potentials of this small but spatially complex city.

Surrounded by dramatic mountains and a wide arcadian valley Korça focuses a region of 360,000 inhabitants. Its urbane morphology reflects the wealth and ambitions of returning emigrants as well as historically strong trade relations with central Europe. Many Novecento and Art Nouveau villas are now restored, many are still crumbling. The aim of the competition was to find a clear concept, which integrates a traffic and pedestrian rational with the qualitative and development needs of the city – a commercial strategy, administrative facilities and residential development. The competition brief also emphasised that the scale of the new Korça should be respectful and appropriate to the historic scale.

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BOLLES+WILSON identified five zones for the revitalisation of the 197,000 sqm city centre. Each zone possessing its own unique character, together they add up to a network of urbane public spaces. At one end of the centre the Cathedral of ‘Christus Resurrection’ anchors, at the other end a Commercial Anchor is added. These are connected by the Boulevard Shen Gjergji – now transformed into a ‘Cultural Promenade’. Reduction in expansive communist road widths allows an extension of the Cathedral Square. This square is planned three steps above the street and framed by café pergolas, an optical filter between traffic and event space. A large stage left of the cathedral and a smaller stage to the right facilitate a wide variety of events. Curved paving stripes echo the Cathedral geometry and serve to discipline market stands.

New figure on the Korça skyline and counterpoint to the Cathedral, a “Vertical Mall” occupies and marshals the parade-ground scaled Theatre Square. A new commercial strip extends from here to the Bazaar via new shopping/housing blocks and a new Bus Station Roof – a Farmers-market platform.

This – the second of the five zones – creates a new commercial hub in downtown Korça.

The third zone is rescripted as a ‘Cultural promenade’, a semi-pedestrian connection between Cathedral and downtown Mall. Here a number of significant buildings such as the ‘Education Museum’ are extended out into the tree-lined, shady and café-filled Promenade as a carpet-like patterned paving, a choreographed sequence of ‘Patterned Squares – Urban Living Rooms’.

The fourth zone revitalises a villa zone with carefully placed new development. In order not to overwhelm the delicate historic scale of Korça a ‘Patchwork Strategy’ is invented – new buildings are paired with restored existing villas to form ‘Development Islands’ (shared economic benefit) and thereby create a network of active block-internal passages.

The final zone of the Masterplan is the ‘Enlarged Park’ (‘green heart’). Here a new triangular-block frames the park edge and by the sale of public land for private development finances the upgrading of the park itself.

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Related project:
Red Bar in the Sky, Theatre Square, Korça, 2014

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Korça city centre before BOLLES+WILSON interventions
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Masterplans with interventions
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Zoning
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New Cathedral Square
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Market stands at the Bazaar
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Cafés at the Cathedral Square
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The Vertical Mall
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Activated passages in the Villa Zone
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Cultural Promenade with Patterned Squares as Urban Living Rooms
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Cultural Promenade under construction at the Boulevard Shen Gjergji
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Cathedral façade carpet
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Old library with new cathedral façade carpet
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New Boulevard Shen Gjergji
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Conversations in front of the old library
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Sketch of the BOLLES+WILSON interventions
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Model
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Suzuki House

Detail

TYPOLOGY: Residential

COUNTRY: Japan

CITY: Tokyo

YEAR: 1993

CLIENT: Akira Suzuki

AWARD: Goldmedal from Japanese Architects Institute 1994

PHOTOS: © Ryuji Miyamoto

A house as a large family room suspended in the city.

A house with a child’s room suspended within.

A house with two legs and a usable roof.

A house glanced by a passing Ninja (Impressed Shadow Façade).

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Street view at night
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Street view at day
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Sketch
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Interior
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Internal organisation sketches
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Ground floor
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First floor
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Second floor
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Passing Ninja
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Kitchen and dining room
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Red Bar in the Sky

Detail

TYPOLOGY: Public
COUNTRY: Albania
CITY: Korça
YEAR: 2014
CLIENT: Municipality of Korça
PHOTOS: © Andronira Burda, Daniel Dervishi, Nico Peleshi, Roman Mensing

In time for Christmas 2014 the city of Korça in Albania realized BOLLES+WILSON’s design for a campanile – the Red Bar in the Sky. It focuses the Theatre Square, the concluding phase of the B+W 2009 masterplan (International Competition 1st prize). The campanile which functions as a lookout tower for Korcians to appreciate the delicate grain of their city is located at the end of the central pedestrian boulevard ‘Shën Gjergji’ (landscaping by B+W). Opened in winter the Red Bar in the Sky was accompanied by an ice skating rink installed by Greek skating specialists.

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Related project:
Masterplan Korça City Centre, 2009, 1st prize

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Theatre Square with Red bar in the Sky
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Sketch with ice rink
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Ice rink in front of the Red Bar in the Sky in winter
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Boulevard Shen Gjergji with christmas lights and Red Bar in the Sky
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View from the top over the Boulevard Shen Gjergji
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Korça City Centre Masterplan
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Siteplan
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Red Bar in the Sky
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Plans and elevations
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Photo before the construction

Polychromink / Coin Tower Tirana

Detail

TYPOLOGY: Office, shopping, gastronomy

COUNTRY: Albania

CITY: Tirana

YEAR: 2008

ARCHITECTS: BOLLES+WILSON with Studio Comi

PHOTOS: © BOLLES+WILSON, © Ernest Ferizi

What is now known as the COIN Tower originally had the working title Polychromic Tower during planning. It was completed in 2008, in the final years of then-mayor Edi Rama’s façade-coloring program, which aimed to give a new face to the grey, post-communist city. BOLLES+WILSON were asked by the mayor to find an acceptable façade design for the already-under-construction tower. It was built without a crane, with concrete carried up on the workers’ backs. It features a Coat of Many Colours of sun louvers wrapping its somewhat irregular silhouette – unfortunately, only half of these arrived from the Turkish supplier. As the first post-communist tower, it soon became Tirana’s hub of luxury shopping.

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Cologne-Muelheim Harbour District

Detail

TYPOLOGY Masterplan

COUNTRY: Germany

CITY: Cologne

YEAR: 2013 – (2015)

COMPETITION: 2013, dialogic planning process
‘Werkstattverfahren Mülheim Süd Inkl. Hafen’

CLIENT: Stadt Köln

After a dialogic planning process in 2013, the two competing planning teams around kister scheithauser gross (Cologne) and BOLLES+WILSON have teamed up for the next planning stage. The development of Mülheim’s harbour district is still an on-going process integrating various interests and disciplines. The masterplan for this 52 ha harbour area preserves various grand industrial spaces to create a new district with a unique character and atmosphere.

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