Berlin Studios Frobenstrasse, Berlin, Aya Schamoni

Studios Frobenstraße 1

Detail

TYPOLOGY: Residential

COUNTRY: Germany

CITY: Berlin-Schöneberg

YEAR: 2020

GFA: 2.300 sqm

CLIENT: Frobenstraße 1 GbR

AWARDS: BDA Preis – nominated

PHOTOS: © Aya Schamoni

INTERIOR APARTMENT 9: studio f1 (Jack Wilson, Chris Geseke)

Finished in late 2020 Frobenstraße 1 offers for renting 11 variously sized apartments and 2 commercial units in an area of fashionable shops and galleries (Potsdamer Straße), street prostitution, social housing and huge investor driven developments of owner occupied apartments.

Frobenstraße 1 is a chorus member. It is not a Primadonna that steps out to front stage. The choreography of urban choruses is the Großstadt-DNA of Berlin, Paris or Barcelona. It defines the street line and the eaves line. In Frobenstraße 1 the upper facade limit is articulated with a recessed shadow line, a modest but significant detail.

The well behaved chorus anticipates a fictive future block-perimeter conclusion to the south, where there is now a Kindergarten with luxurious trees. Here the pink side wall (fire wall) presents itself for the kids with its giant footprint graphic.

Unlike the Bel étage of a Paris House the first floor here has the standard 3,10 m room height, but its special relation to the street is prescribed by the delicate and continuous railing.

The window composition to the street describes the internal layout where three apartments break out of the standard, but generous room height to 4,80 m and 6,50 m. The grey facade has therefore aspirations to be read as a palazzo, with the projecting penthouse window playing the classic attica.

The garden facade is more domestic, balconies meandering out for afternoon sun and individual planting.

For the interior communal stair and lift black and white tiles dignify homecoming.

Berlin Studios Frobenstrasse, Berlin, Aya Schamoni
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni, Giant footprint
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni, window, fenster
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni, interior
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni, interior, stairs, treppe
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni, interior, entrance, eingang
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni, interior, eingang, hall, entrance
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni, interior, Aufzug, elevator
Berlin Studios Frobenstrasse, Berlin, Aya Schamoni, interior
Berlin Studios Frobenstrasse, Berlin, plan, Lageplan
Berlin Studios Frobenstrasse, Berlin, plan, Grundriss, groundloor, erdgeschoss
Berlin Studios Frobenstrasse, Berlin, plan, Grundriss, floor plan
Berlin Studios Frobenstrasse, Berlin, plan, Grundriss, floor plan
Berlin Studios Frobenstrasse, Berlin, plan, section
Berlin Studios Frobenstrasse, Berlin, plan, section

NEW HIT – Hotel International Tirana

Detail

TYPOLOGY: Hotel

COUNTRY: Albania

CITY: Tirana

YEAR: 2016-2025

ARCHITECTS: BOLLES+WILSON with Atelier 4

PHOTOS: © BOLLES+WILSON

New HIT was the working title of this project for the Albanian investor Mr. Ram Geci – it has now been franchised to the INTERCONTINENTAL hotel chain.

THINNESS – The gold New HIT façade terminates Tirana’s central axis, the result of a 1930s regulatory plan by Geheraldo Bossio and Fernando Poggi (Italian occupation).
THINNESS – The hotel is adjacent to the grand and elegant 2017 Scanderbeg Square by the Belgians 51N4E.
THINNESS – in the east and west elevations the hotel is read as two thin slabs - black to the north and gold to the south.
LAYERING – the black slab backs the gold façade, in front of this stands the white Hotel Tirana (the tallest building in Albania under Communism). To the left is the Albanian National Museum (a gift from Russia). To the right even MDRDV’s Skanderbeg (national hero) glances sideways wishing he also could be golden.
EVOLUTION - First sketches engendering the 2 slab sandwich concept.
EVOLUTION - Inverted `V´ windows originally occupied the south façade.
EVOLUTION - These at night became a woven golden curtain.
EVOLUTION - Inverted `V´ windows with projecting cowl (sun screening)
EVOLUTION - Illuminated gold curtain - with double windows.
EVOLUTION - Windows taking in two hotel rooms are marshalled into rectangular cassettes.
EVOLUTION - WINDOW DECLINATION - Like Lucretian Clinamen the windows are in flux, swerving out of alignment with the gold façade which each illuminates with its concealed LED strip (left hand window surround).
EVOLUTION - Window details - the central coloured panels screen ventilation slits to two hotel rooms.
EVOLUTION - Ordered windows -Tirana jumble - grand mountains.
LOST IN TRANSLATION - An eight year evolution from initial concept to grand physical object is an act of translation. It is thus inevitable that certain generative ideas are lost in translation.
LOST IN TRANSLATION - The Hotel Lobby Sketch was instrumental in getting the Prime Minister’s approval, it survived much of the journey but not the appearance of an Italian interior designer who arrived when the 5 Star hotel was franchised to the INTERCONTINENTAL chain.
LOST IN TRANSLATION - This was also the fate of the BOLLES+WILSON conference hall, also the initial room gestalt.
Another Lost in Translation victim was rooftop terraces - too windy 100m up.
LOST IN TRANSLATION - The late arrival of a Casino almost engendered a gold and red staircase balanced over car park ramps.
LOST IN TRANSLATION - As Louis Kahn once noted – the drama of a building’s making is lost when complete. For the New HIT tower construction (as always) first went dramatically downwards.
When finished a tower becomes a family member in an emerging URBAN COLLAGE. From left to right – BOLLES +WILSON, MDRDV, CEBRA, Alejandro Aravena (Elemental), BOLLES+WILSON’s under construction Bazaar Gate (in the backseat).

Albanian Football Association Headquarters Tirana

Detail

TYPOLOGY: Administration Offices

COUNTRY: Albania

CITY: Tirana

YEAR: 2020

PHOTOS: © Roman Mensing, BOLLES+WILSON

LOCAL ARCHITECTS: APE Shpk

The commission was first for the reuse of a derelict crescent shaped communist building, (Illus 2A), not a comfortable fit for open plan offices and upper level president and executive council rooms. `X´columns were here invented to support the top-heavy layout. These survived the decision to demolish and build a new headquarters. Both layouts framed a green field site embraced by a ring of trees. Existing pines were also retained.

Layout – Four levels of open plan offices lurk behind the ambulant `X´ Colonnade. These are for the various departments: event management, national team dept, marketing, referees, finance, legal, human resources, drivers etc. (Illus. 7 + 8).

The rear side entrance is themed green and blue with a canopy and raised entrance plaza above a press and conference

 room for 180. (Illus. 9. 3.4.5.6.)

Albania is now embedded in the UEFA international football circuit and the success of their HQ has led to the 2925 commission for BOLLES+WILSON to design a partner building on the same site – A 5-star Hotel for the Albanian National Team (Illus. 14).

1
2A
2B
3
4
5
6
7
8
9A
9B
10
11
12
13
ALBANIAN FOOTBALL ASSOCIATION NATIONAL TEAM HOTEL
A SECOND BUILDING ON THE SAME SITE.
2025-2029

RS+Yellow Distribution – Phase 3

Detail

TYPOLOGY: Office, Residential

COUNTRY: German

CITY: Münster

YEAR: 2018

GFA: 2.600 sqm

CLIENT: Rainer Scholze

The big box warehouse provides a monumental podium for an enigmatic folded form hovering above the (unseen from the street) water roof.The primary function is obviously storage, three levels of furniture to be distributed to the Germany wide network of RS+Yellow outlets. Pyjama striped aerated-concrete façade panels are interspersed with vertical smoke vents.  Such vents are usually found on the roof of this pragmatic typology but here the roof (like in RS+Yellow Distribution – Phase 2) is flooded – an infinity pool, based on those seen by the client in South East Asia where he regularly travelled buying furniture. His plan was not only to work every day gazing out across his dreamlike waterscape, but also to spend his nights hovering above the rooftops of an unsuspecting Münster, Villa and Office Pavilion are thus connected by a bridge-box. Tragically Rainer Scholze did not live to see his vision complete. His private suite was not constructed and the living spaces now function as meeting and conference rooms for the co-operative he set up for his employees.

Poplar trees were also planted for RS+Yellow Distribution - Phase 3
Villa deck, infinity pool and field with ponies
The enigmatic folded roof form seen from RS+Yellow Distribution - Phase 2
Box bridge for the client to trot across to his office
Villa living room + kitchen
Cross-ventilated arrival passage
RS+Yellow Distribution - Phase 3 – section 3 levels of storage + rooftop villa
1: RS+Yellow Distribution - Phase 1
2: RS+Yellow Distribution - Phase 2
3: RS+Yellow Distribution - Phase 3
Warehouse plan – wide-span precast column + beam system
Infinity pool level – office pavilion left, villa right
North elevation with loading bays
East elevation with poplar trees
South elevation to street
West elevation with connecting bridge
technology centre_technologiehof_munster_christian richters

Technology Centre

Detail

TYPOLOGY: Office / Laboratory / Conference

COUNTRY: Germany

CITY: Münster

YEAR: 1993

GFA: 16.000 sqm

CLIENT: Technologiehof Münster GmbH

PHOTOS: © Christian Richters

The university zone of Münster (like most of what we still call cities) is a mixture of isolated large buildings, open space and fragments of small scale, residential patterns. Rather than attempting to stitch together buildings in a coherent or unifying pattern, the Technologiehof accepts its autonomy and in doing so legitimizes the voids between as today’s characteristic urban condition.

The three discrete objects of the Technologiehof also mark an end to the city. To the north are green fields, to the south (bridge side) is the semi-urban campus. Within their precise form the façades are a consequence of this double direction.

Three precise rectilinear forms (unambiguous autonomous objects) are a consequence of the construction system: standardised precast columns, beams, wall and floor panels. The expression of technology is limited to the shiny aluminium skin.

Small, highly serviced, commercially rented laboratories (bio-sensoric research, environment and telecommunications research) flank a middle building with offices and conference facilities. Triangular tapering winter gardens at third floor level provide relief from the absorbing rigour of the working spaces.

technology centre_technologiehof_munster_christian richters
One of three rectilinear forms
technology centre_technologiehof_munster_christian richters
technology centre_technologiehof_munster_christian richters
The bridge
technology centre_technologiehof_munster_plan
Axonometric perspective
technology centre_technologiehof_munster_plan
Figure ground plan
technology centre_technologiehof_munster_plan
Ground floor plan
technology centre_technologiehof_munster_plan
First floor plan and South elevation