st Sebastian_munster_markus hauschild_indoor play area

St. Sebastian

Detail

TYPOLOGY: Educational
COUNTRY: Germany
CITY Münster
YEAR: 2013
COMPETITION: 2009, 1st Prize
PHOTOS: © Markus Hauschild, Christian Richters
HISTORICAL PHOTO: © S. Ahlbrand-Dornseif, R.Wakonigg

A church becomes a kindergarten.
Not heritage listed, already condemned, the St. Sebastian church built in 1962 and deconsecrated in 2008 has been revitalized with the most lively and positive function, i.e. with children.
The elegant elliptical form of the nave physically anchors its surrounding neighborhood. Two levels of kindergarten group rooms are housed within, the roofs of these become an all-weather play deck. Grass green impact-protection flooring and street lights give the play decks the ambience of an outdoor space.
A grid of 50 x 50 cm unglazed openings, the only originally glazed light source in the church, provide constant, natural ventilation. Cold in winter, comfortably temperate in summer, but always dry, this magical inside/outside space is flooded with light.
Adjacent to the kindergarten nave, a new street facing extension houses the main entrance, kitchen, offices, technical rooms and one multipurpose room. This is available for neighborhood events.

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View across the outdoor area
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Idea Sketch
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Model
st sebastian_munster_markus Hauschild_interior
Indoor play decks
st sebastian_munster_markus hauschild_interior
st sebastian_munster_markus hauschild_interior
st sebastian_munster_markus hauschild_interior
st sebastian_munster_markus hauschild_interior
st sebastian_munster_markus hauschild_exterior
Annex in the East
st sebastian_munster_markus Hauschild_interior
st sebastian_munster_christian richters_interior
Interior
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Siteplan
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East elevation with main entrance
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South elevation
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Plans
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Historical image of the church
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Construction
st Sebastian_munster_construction
vzvdg house, Enschede

vZvdG House

Detail

TYPOLOGY: Residential

COUNTRY: Netherlands

CITY: Enschede

YEAR: 2005

PHOTOS: © BOLLES+WILSON

Following the disastrous explosion of a fireworks factory in Enschede NL the new district masterplan by Pi de Bruijn, required a row of modernist villas along the new Museumlaan.

The somewhat draconian masterplan also specified that only architects of international repute could build here (BOLLES+WILSON was pleased to find their Italian chum Cino Zucchi as neighbour).

The masterplan required modernist villas, flat roofs – a geometric play of volumes. The Villa vZvdG almost fell of the list by being too small – But the east facing sun shaded terrace pumped it up to an acceptable volume. The owners, a couple with a teenaged son, needed a separately accessed office and an interior that allowed for constant rehanging of their painting collection – Petersburg hanging system. The façade of fibre cement panels is green + white striped (the traditional colours of barn doors in the east of the Netherlands). Because white stripes could not run around the corner (vertical green profile) the stripes were slipped up or down at the corner – the working title of the house was “Vertical Glitch House”.

vzvdg house, Enschede, photo, foto, christian Richters
vzvdg house, Enschede
vzvdg house, Enschede
vzvdg house, Enschede
vzvdg house, Enschede, Postkarte, postcard
vzvdg house, Enschede, plan, Grundriss, ground floor
vzvdg house, Enschede, plan, floorpan
vzvdg house, Enschede, plan, elevation, Ansicht
vzvdg house, Enschede, elevation, Ansicht
vzvdg house, Enschede, plan, elevation, Ansicht
vzvdg house, Enschede, drawing, sketch, Skizze, Peter Wilson
vzvdg house, Enschede
vzvdg house, Enschede, drawing, sketch, Skizze, Peter Wilson
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien

Victoria Park – Four Housing Blocks

Detail

TYPOLOGY: Masterplan + Residential

COUNTRY: Australia

CITY: Sydney

YEAR: 2001

CLIENT: Waltcorp. Ltd

PHOTOS: © Turner

The visitor’s image of Australia is of huge skies, bleaching light and wide horizons. The planning model for this new Sydney quarter involved dense urban blocks with six to nine story street fronts and towers with views to their downtown big brothers. Surprisingly photos of the first two of the four blocks satisfy both expectations. One thinks of Brasilia or the suburbs of Milan in the 1950s. This ex-industrial site has in its transitional state the appearance of landscape becoming city in one heroic eruption.

Sydney is growing rapidly, due in part to an exodus from country towns, to immigration and to a cunning ‘down-under’ financial regulation that only allows foreign investors to buy into new buildings. To meet this quantitative demand a radical systematising of the building process into a ‘house of cards’ stacking of prefabricated concrete panels and standard repetitive apartment layouts has emerged. This basic logic of the ESP Block and of the ‘FORM’ Block is subsequently enhanced by balcony variations. These are essential for climatic reasons, shade and outdoor living space. (As a substitute for the suburban back yard balconies in Australia are often equipped with gas outlets for high-rise barbecuing.) Compositional juxtapositions and articulations of balconies hung outside the repetitive and regular apartment grid also reverses the modernist dictum of outside expressing interior functions. Here the heterogeneous surface instigates variations in apartment types.

2001 Four Block Masterplan

2004 ESP Block completed,

2005 Block 301 (“FORM”) completed,

2005 Blocks 303 and 305 in planning.

Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien_Sketch_Skizze
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien
Victoria Park_Sydney_Four housing blocks_Vier Wohnbauten_Australia_Australien_Sketch_Skizze

RS+Yellow Distribution – Phase 3

Detail

TYPOLOGY: Office, Residential

COUNTRY: German

CITY: Münster

YEAR: 2018

GFA: 2.600 sqm

CLIENT: Rainer Scholze

The big box warehouse provides a monumental podium for an enigmatic folded form hovering above the (unseen from the street) water roof.The primary function is obviously storage, three levels of furniture to be distributed to the Germany wide network of RS+Yellow outlets. Pyjama striped aerated-concrete façade panels are interspersed with vertical smoke vents.  Such vents are usually found on the roof of this pragmatic typology but here the roof (like in RS+Yellow Distribution – Phase 2) is flooded – an infinity pool, based on those seen by the client in South East Asia where he regularly travelled buying furniture. His plan was not only to work every day gazing out across his dreamlike waterscape, but also to spend his nights hovering above the rooftops of an unsuspecting Münster, Villa and Office Pavilion are thus connected by a bridge-box. Tragically Rainer Scholze did not live to see his vision complete. His private suite was not constructed and the living spaces now function as meeting and conference rooms for the co-operative he set up for his employees.

Poplar trees were also planted for RS+Yellow Distribution - Phase 3
Villa deck, infinity pool and field with ponies
The enigmatic folded roof form seen from RS+Yellow Distribution - Phase 2
Box bridge for the client to trot across to his office
Villa living room + kitchen
Cross-ventilated arrival passage
RS+Yellow Distribution - Phase 3 – section 3 levels of storage + rooftop villa
1: RS+Yellow Distribution - Phase 1
2: RS+Yellow Distribution - Phase 2
3: RS+Yellow Distribution - Phase 3
Warehouse plan – wide-span precast column + beam system
Infinity pool level – office pavilion left, villa right
North elevation with loading bays
East elevation with poplar trees
South elevation to street
West elevation with connecting bridge

NEW HIT – Hotel International Tirana

Detail

TYPOLOGY: Hotel

COUNTRY: Albania

CITY: Tirana

YEAR: 2016-2025

ARCHITECTS: BOLLES+WILSON with Atelier 4

PHOTOS: © BOLLES+WILSON

New HIT was the working title of this project for the Albanian investor Mr. Ram Geci – it has now been franchised to the INTERCONTINENTAL hotel chain.

THINNESS – The gold New HIT façade terminates Tirana’s central axis, the result of a 1930s regulatory plan by Geheraldo Bossio and Fernando Poggi (Italian occupation).
THINNESS – The hotel is adjacent to the grand and elegant 2017 Scanderbeg Square by the Belgians 51N4E.
THINNESS – in the east and west elevations the hotel is read as two thin slabs - black to the north and gold to the south.
LAYERING – the black slab backs the gold façade, in front of this stands the white Hotel Tirana (the tallest building in Albania under Communism). To the left is the Albanian National Museum (a gift from Russia). To the right even MDRDV’s Skanderbeg (national hero) glances sideways wishing he also could be golden.
EVOLUTION - First sketches engendering the 2 slab sandwich concept.
EVOLUTION - Inverted `V´ windows originally occupied the south façade.
EVOLUTION - These at night became a woven golden curtain.
EVOLUTION - Inverted `V´ windows with projecting cowl (sun screening)
EVOLUTION - Illuminated gold curtain - with double windows.
EVOLUTION - Windows taking in two hotel rooms are marshalled into rectangular cassettes.
EVOLUTION - WINDOW DECLINATION - Like Lucretian Clinamen the windows are in flux, swerving out of alignment with the gold façade which each illuminates with its concealed LED strip (left hand window surround).
EVOLUTION - Window details - the central coloured panels screen ventilation slits to two hotel rooms.
EVOLUTION - Ordered windows -Tirana jumble - grand mountains.
LOST IN TRANSLATION - An eight year evolution from initial concept to grand physical object is an act of translation. It is thus inevitable that certain generative ideas are lost in translation.
LOST IN TRANSLATION - The Hotel Lobby Sketch was instrumental in getting the Prime Minister’s approval, it survived much of the journey but not the appearance of an Italian interior designer who arrived when the 5 Star hotel was franchised to the INTERCONTINENTAL chain.
LOST IN TRANSLATION - This was also the fate of the BOLLES+WILSON conference hall, also the initial room gestalt.
Another Lost in Translation victim was rooftop terraces - too windy 100m up.
LOST IN TRANSLATION - The late arrival of a Casino almost engendered a gold and red staircase balanced over car park ramps.
LOST IN TRANSLATION - As Louis Kahn once noted – the drama of a building’s making is lost when complete. For the New HIT tower construction (as always) first went dramatically downwards.
When finished a tower becomes a family member in an emerging URBAN COLLAGE. From left to right – BOLLES +WILSON, MDRDV, CEBRA, Alejandro Aravena (Elemental), BOLLES+WILSON’s under construction Bazaar Gate (in the backseat).