TYPOLOGY: Residential
COUNTRY: Germany
CITY: Münster
YEAR: 1997
GFA: 4.950 sqm
CLIENT: LVM Versicherungen
PHOTOS: © Christian Richters
A knitting together of street lines and block interior in a modest scaled residential district. The theme is more Vitruvius’ comoditas than grand or explicit architectural narrative. Street lines, precise boundaries between public and private realms are anchored with a solid dark, oil-fired, almost industrial and implicitly north German brick plinth. In contrast the upper floors in white plaster transcend this intentional massivity through their material and geometric abstraction. The two layers dovetailed together framing private terraces and necessary setbacks.
The 26 apartments are vertically ordered. Small units suitable for elderly occupants or studio apartments with garden below, the larger first floor apartments have generous balconies while the upper two floors are organised as maisonettes. An urbane facilitating of daily life is in the interiors and layout achieved with a reduced material palette – wood, stone, plaster.
TYPOLOGY: Masterplan
COUNTRY: The Netherlands
CITY: Hengelo
YEAR: 1998
COMPETITION: 1995
CLIENT: ING VASTGOED
PARTNER: Bureau Boukunde, Rotterdam
PHOTOS: © Christian Richters, BOLLES+WILSON
BOLLES+WILSON won the competition with a choreographed ensemble of heterogeneous objects:
digital klok – market day
THE SHORT LIFE OF A DIGITAL KLOK:
The BRINK campanile (Klok) forms a triangle with city hall + church towers. After 10 years the Klok came down with digital Alzheimer's. BOLLES+WILSON were asked for an avatar. The gold angel (local artist) blowing a raspberry in the direction of Enschede survived.
The market square has now undergone green washing, also the klok tower – we hope!!
(on the right – the condemned V&D)
TYPOLOGY: Administration Offices
COUNTRY: Albania
CITY: Tirana
YEAR: 2020
PHOTOS: © Roman Mensing, BOLLES+WILSON
LOCAL ARCHITECTS: APE Shpk
The commission was first for the reuse of a derelict crescent shaped communist building, (Illus 2A), not a comfortable fit for open plan offices and upper level president and executive council rooms. `X´columns were here invented to support the top-heavy layout. These survived the decision to demolish and build a new headquarters. Both layouts framed a green field site embraced by a ring of trees. Existing pines were also retained.
Layout – Four levels of open plan offices lurk behind the ambulant `X´ Colonnade. These are for the various departments: event management, national team dept, marketing, referees, finance, legal, human resources, drivers etc. (Illus. 7 + 8).
The rear side entrance is themed green and blue with a canopy and raised entrance plaza above a press and conference
room for 180. (Illus. 9. 3.4.5.6.)
Albania is now embedded in the UEFA international football circuit and the success of their HQ has led to the 2925 commission for BOLLES+WILSON to design a partner building on the same site – A 5-star Hotel for the Albanian National Team (Illus. 14).
TYPOLOGY: Landscape
COUNTRY: The Netherlands
CITY: Rotterdam – Kop van Zuid
YEAR: 2006
CLIENT: City of Rotterdam (dS+U), Hotel New York partner
PHOTOS: © Christian Richters
The former embarkation point for emigration to the New World – a ‘Holland/America’ theme. Two landscapes (intimate Dutch gardens and a prairie-like American event- space) are divided by a conceptual border. Large scale text (like a Steinberg drawing) is inlayed in the pavement. To date the Dutch side including the Hotel Terrace, Maaskant Pavilion, vent Funnels, playground and intimate Dutch gardens is complete. despite regular dockings of American warships the narrative landscape on the American side of the Dutch-Amerika border remains unexecuted.
TYPOLOGY: Office
COUNTRY: Germany
CITY: Willich
YEAR: 2003
COMPETITION: 2001, First prize
GFA: 2.630 sqm
CLIENT: Stadt Willich
PHOTOS: © Christian Richters, © BOLLES+WILSON
The entrance to Schlosspark Neersen is framed by the parallel sides of the Schloss / City Hall and the new building for the City Hall technical Departments.
With its wide span-cantilevered canopy and transparent facade the new addition presents its functions like a building scale vitrine.
The enclosing back wall is in a discrete and modest industrial brick, in keeping with the suburban surrounds and at the same time a reference to the nearby Mies van der Rohe Haus Lange and Haus Esters.