Mittehafen_Munster_Aerzteversorgung_Competition

Mittelhafen

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TYPOLOGY: Competition / Office

COUNTRY: German

CITY: Münster

YEAR: 2020

COMPETITION: Closed competition, 2nd Prize

GFA: 12.740 sqm

CLIENT: Ärzteversorgung Westfalen-Lippe

Both the property side facing the city port and the street side to “Am Mittelhafen” require representative façades. Therefor a building in the north-south axis is required, which fills the property over the entire length. The two narrow views speak a suitably dignified language – to the waterfront through an invigorating silhouette that adds a building with personality to the row of existing office buildings. The opposite side facing the street is emphasized by an expressive façade – in contrast to the buildings in the immediate vicinity, which do not have such a concise addresses. This gives the quarter a much needed “urban flair”.

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Mittehafen_Munster_Aerzteversorgung_Competition
Mittehafen_Munster_Aerzteversorgung_Competition_Elevation_Ansicht
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Mittehafen_Munster_Aerzteversorgung_Competition
loddenheide water purification plant_klaerwerk loddenheide_munster_christian richters

Loddenheide Water Purification Plant

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TYPOLOGY: Technical

COUNTRY: Germany

CITY: Munster

YEAR: 2021

PHOTOS: © Christian Richters,  © BOLLES+WILSON

40 Years of Water Research – 20 years of Water Pumping

The 2001 Loddenheide Water Filtration Plant is almost BOLLES+WILSON’s smallest building. It has for the last 20 years been cleaning and filtering road runoff before it lands in the re-absorption pond of the Loddenheide Business Park. The pond itself is a re-naturalizing success, now a bird sanctuary for countless water foul. The glazed vitrine of the pump house now stands serenely in winter snow or spring blossom. Its machines turn two Archimedes Screw Pumps, aerating the water before splashing into a circular filtration tank. The rectangular plan geometry of the first is set against the circular form of the second. A line of poplar trees, now fully grown, bisects these two fundamental geometries. For those inexperienced at reading metaphoric content into infrastructural equipment the fences surrounding the two machines come with subtext – although the supergraphic H2O on the fence mesh is not readable when approached front on, only when seen in the oblique is it there to underline the theme of ‘Water’.

The Business Park was at the outset renamed Freedom Park by the Dalai Lama, then visiting Münster. The Dalai Lama Commemoration Stone stands 120 meters away from the pumping facilities – just follow the line of poplars. It is certainly BOLLES+WILSON’s smallest work. To read its text one must walk three times around the dark green stone. We like to believe that the rainy day inauguration photo documents the Dalai Lama gleefully asking Münsters lady Mayor – ‘Is it really a BOLLES+WILSON design’.

BOLLES+WILSON water research began in 1976 with Peter Wilson’s Iconic Water House. In 2018 the watery trajectory continued with the second warehouse for RS+Yellow both with ‘Infinity Pool’ roofs.

loddenheide water purification plant_klaerwerk loddenheide_munster_christian richters
Loddenheide Water Filtration Plant
loddenheide water purification plant_klaerwerk loddenheide_munster_christian richters
loddenheide water purification plant_klaerwerk loddenheide_munster_christian richters
H2O graphic on the fence mesh
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Model
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Construction
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Design for the Dalai Lama Commemoration Stone
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The Dalai Lama Commemoration Stone
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Rainy day inauguration with Dalai Lama and the then mayoress
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loddenheide water purification plant_klaerwerk loddenheide_munster
loddenheide water purification plant_klaerwerk loddenheide_munster_christian richters
After twenty years the line of poplar trees have grown to divide Pumphouse from Circular Airation Basin, a formal seperation envisiged in the original compositional concept.

VASARELY TOWER

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RRUGA ALI PASHA GUCIA

TIRANA

 

FOR CHRISTIN INVESTMENTS 2025

CONCEPT
The theme of the Vasarely Tower design is derived from the hungarian pop artist Victor Vasarely who used simple geometric shapes and strong contrasting colours. The Vasarely Museum in Aixen-Provence interprets Vasarelys paintings as a building. For our proposal the horizontal museum becomes a vertical tower.

Reference Vasarely Museum in Aix-en-Provence
The tower is based on a 12,5 m by 12,5 m plan with circular loggia, bringing daylight deep into the appartments.
Within the loggia all surfaces and windowframes are coloured pink RAL 3014 (Vasarely colour contrast).

Albanian Football Association Headquarters Tirana

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TYPOLOGY: Administration Offices

COUNTRY: Albania

CITY: Tirana

YEAR: 2020

PHOTOS: © Roman Mensing, BOLLES+WILSON

LOCAL ARCHITECTS: APE Shpk

The commission was first for the reuse of a derelict crescent shaped communist building, (Illus 2A), not a comfortable fit for open plan offices and upper level president and executive council rooms. `X´columns were here invented to support the top-heavy layout. These survived the decision to demolish and build a new headquarters. Both layouts framed a green field site embraced by a ring of trees. Existing pines were also retained.

Layout – Four levels of open plan offices lurk behind the ambulant `X´ Colonnade. These are for the various departments: event management, national team dept, marketing, referees, finance, legal, human resources, drivers etc. (Illus. 7 + 8).

The rear side entrance is themed green and blue with a canopy and raised entrance plaza above a press and conference

 room for 180. (Illus. 9. 3.4.5.6.)

Albania is now embedded in the UEFA international football circuit and the success of their HQ has led to the 2925 commission for BOLLES+WILSON to design a partner building on the same site – A 5-star Hotel for the Albanian National Team (Illus. 14).

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2B
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ALBANIAN FOOTBALL ASSOCIATION NATIONAL TEAM HOTEL
A SECOND BUILDING ON THE SAME SITE.
2025-2029

Hotel Urban Loft

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TYPOLOGY: Hotel
COUNTRY: Germany
CITY: Cologne
YEAR: 2020
GFA: 10.000 sqm
CLIENT: EHBB Verwaltungsgesellschaft mbH & Co. KG
USER: Althoff Hotels
USE: Hotel with 213 rooms, restaurant, underground parking, 8 apartments
PHOTOS: © Roman Mensing, BOLLES+WILSON

Young creative digital natives arriving at Cologne’s Central Station need now only to duck around the corner to spend time in URBAN LOFT – a new brand by Althoff Hotels. BOLLES+WILSON’s responsibility was the form + language of the building – a textile like street façade (Eigelstein) of warm vertical brick. The former brewery site in one of Cologne’s most traditional neighbourhoods is squashed up against railway tracks. Sound proof windows gaze at the cathedral spires + into the posterior of the station – trains rush past, only 1m from the rear façade. Also at the rear (Am Salzmagazin) stacked apartments watch this urban opera. Following a planners invective a neighbourhood networking is achieved with a passage passing internal terraces + squeezing out in the atmospheric underpass.

hotel urban loft, Koeln, Köln, Eigelstein, Peter Wilson drawing, handzeichnung
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing
hotel urban loft, Koeln, Köln, Eigelstein, Roman Mensing