Change Factory
TYPOLOGY: Competition / Office
COUNTRY: German
CITY: Eschweiler
YEAR: 2023
COMPETITION: Closed competition, 2nd Prize
COLLABORATOR: wbp Landschaftsarchitekten GmbH, Bochum
GFA: 11.880 sqm
CLIENT: Stadt Eschweiler
The Change Factory is Eschweiler’s new green, flexible, and flood-resilient innovation hub.
Instead of one large block, it’s a cluster of pavilions, halls, and workspaces connected by a leafy promenade linking the city center to Drieschplatz. Reclaimed bricks, repurposed windows, and lush façades show a commitment to circular construction, while active roofs host orchards, gardens, sports areas, and solar panels. A contoured green ring and rain-retention meadows provide natural flood protection, turning resilience into a design feature. Inside, adaptable modular buildings offer space for events, co-working, research, and community life. Combining low-tech solutions with smart energy systems, the Change Factory sets a new standard for sustainable urban development.
BP Lingen Administrative and Service Centre
TYPOLOGY: Office / Laboratory
COUNTRY: Germany
CITY: Lingen
YEAR: 2019
CLIENT: BP Europe Lingen
PHOTOS: © Roman Mensing
On September 20th 2019 the new BP Lingen ‘Lighthouse Project’ officially opened. Such a fast track project with six months planning and one year construction time required focussed and co-ordinated teamwork from architects and contractors (Hofschröer/Mainka, Lingen).
The new building at a safe distance from the refinery (technicians cycle back and forth) is nestled in a pine forrest and houses administration, laboratories, workshops and a BP fire station (with training tower).
The BOLLES+WILSON design manifests BP’s ‘One Team’ philosophy. Open plan offices on three levels surround a spectacular light filled atrium. Animated by ‘team oriented break-out spaces’, this communicative heart of the complex is crowned by a pyramid of triangular pneumatic pillows. An illuminated lighthouse that hovers above treetops, in dialogue with the nearby refinery.
Vertical sun louvers across the office and fire station facade echo BP logo colours as does the colourful and dynamic interior landscape.
Kita Frankfurt Bergen Enkheim
TYPOLOGY: Educational
COUNTRY: Germany
CITY: Frankfurt
YEAR: 2022
CLIENT: City of Frankfurt
PHOTOS: © Roman Mensing
The latest BOLLES+WILSON kindergarten is now, after a protracted incubation open for its 60 mini-customers.
It is beside a fire station and behind suburban villas in Frankfurt’s Bergen Enkheim district.
The `coat of many colours´ façade is wood, sustainable, a signal for the building’s `passive house´ status. Colourful sun awnings animate the south façade where the six group rooms open to the playground or to the first floor balcony (where stairs connect down to playground). Sliding white sunscreens on the East and West façades also give night time security for open windows.
The flat roof is planted for rainwater retention and for insect habitat.
The compact volume and upper level multi purpose room are consequence of the limited site and a ground level change 2,20 m.
The interior circulation gallery is animated by an optimistic green/yellow wall with giant foot/hand prints.
A thematicising of scale is endemic to a building whose customers are only 90 centimeters tall.
Loddenheide Water Purification Plant
TYPOLOGY: Technical
COUNTRY: Germany
CITY: Munster
YEAR: 2021
PHOTOS: © Christian Richters, © BOLLES+WILSON
40 Years of Water Research – 20 years of Water Pumping
The 2001 Loddenheide Water Filtration Plant is almost BOLLES+WILSON’s smallest building. It has for the last 20 years been cleaning and filtering road runoff before it lands in the re-absorption pond of the Loddenheide Business Park. The pond itself is a re-naturalizing success, now a bird sanctuary for countless water foul. The glazed vitrine of the pump house now stands serenely in winter snow or spring blossom. Its machines turn two Archimedes Screw Pumps, aerating the water before splashing into a circular filtration tank. The rectangular plan geometry of the first is set against the circular form of the second. A line of poplar trees, now fully grown, bisects these two fundamental geometries. For those inexperienced at reading metaphoric content into infrastructural equipment the fences surrounding the two machines come with subtext – although the supergraphic H2O on the fence mesh is not readable when approached front on, only when seen in the oblique is it there to underline the theme of ‘Water’.
The Business Park was at the outset renamed Freedom Park by the Dalai Lama, then visiting Münster. The Dalai Lama Commemoration Stone stands 120 meters away from the pumping facilities – just follow the line of poplars. It is certainly BOLLES+WILSON’s smallest work. To read its text one must walk three times around the dark green stone. We like to believe that the rainy day inauguration photo documents the Dalai Lama gleefully asking Münsters lady Mayor – ‘Is it really a BOLLES+WILSON design’.
BOLLES+WILSON water research began in 1976 with Peter Wilson’s Iconic Water House. In 2018 the watery trajectory continued with the second warehouse for RS+Yellow both with ‘Infinity Pool’ roofs.
Prison Library
TYPOLOGY: Library
COUNTRY: German
CITY: Münster
YEAR: 2005
GFA: 80 sqm
CLIENT: Justizvollzugsanstalt Münster
AWARDS: Library of the Year Prize (German Library Association + the ZEIT Foundation)
PHOTOS: © BOLLES+WILSON
In 2007 the German Library Association together with the ZEIT Foundation awarded the ‚Library of the Year Prize‘ to the small but significant Prison Library in Münster (concept BOLLES+WILSON, implementation prisoners). The jury praised the exemplary, user-friendly and new interpretation of library functions and the atmosphere, an estranged relative of the nearby City Library (BOLLES+WILSON 1987–93). The single library room, jammed in the ‚armpit‘ between two Panopticon wings is simply furnished with shelves and counters in ‚optimistic‘ wood and friendly colours. Facing mirrors above and adjacent to the shelves multiply the original triangular room into a kaleidoscopic virtual hexagon. The prison in its entirety is optically reduced to a small central pavilion. Reading as transcendence or Borges‘ infinite ‚Library of Babel‘ are the unavoidable message. A leaf motive on ceiling and walls, like the new furniture, is the handwork of the prisoners themselves.
