TYPOLOGY: Masterplan + Residential
COUNTRY: Australia
CITY: Sydney
YEAR: 2001
CLIENT: Waltcorp. Ltd
PHOTOS: © Turner
The visitor’s image of Australia is of huge skies, bleaching light and wide horizons. The planning model for this new Sydney quarter involved dense urban blocks with six to nine story street fronts and towers with views to their downtown big brothers. Surprisingly photos of the first two of the four blocks satisfy both expectations. One thinks of Brasilia or the suburbs of Milan in the 1950s. This ex-industrial site has in its transitional state the appearance of landscape becoming city in one heroic eruption.
Sydney is growing rapidly, due in part to an exodus from country towns, to immigration and to a cunning ‘down-under’ financial regulation that only allows foreign investors to buy into new buildings. To meet this quantitative demand a radical systematising of the building process into a ‘house of cards’ stacking of prefabricated concrete panels and standard repetitive apartment layouts has emerged. This basic logic of the ESP Block and of the ‘FORM’ Block is subsequently enhanced by balcony variations. These are essential for climatic reasons, shade and outdoor living space. (As a substitute for the suburban back yard balconies in Australia are often equipped with gas outlets for high-rise barbecuing.) Compositional juxtapositions and articulations of balconies hung outside the repetitive and regular apartment grid also reverses the modernist dictum of outside expressing interior functions. Here the heterogeneous surface instigates variations in apartment types.
2001 Four Block Masterplan
2004 ESP Block completed,
2005 Block 301 (“FORM”) completed,
2005 Blocks 303 and 305 in planning.
TYPOLOGY: Public
COUNTRY: Albania
CITY: Korça
YEAR: 2019
PHOTOS: © Roman Mensing, Olgert Maxhe, BOLLES+WILSON
1) The conversion of the communist library on Bulevard Shën Gjergji was a parallel project to the construction of the (BOLLES+WILSON) New Library facing the new Cathedral Square. – These are all pieces of the puzzle that adds up to the BOLLES+WILSON Masterplan for the centre of the city of Korça.
2) The re-design introduced a new balcony to synthesise a previously uncomfortable Junction of marble columns and the white box upper floor. The perforated balustrade facilitates victorious football teams or the mayor addressing his public.
3) The four large windows to the balcony received new sliding sun screens. We are here only a stone’s throw from the BOLLES+WILSON 2014 Red Bar in the Sky.
4) The communist library was on the site of a demolished church – the façade geometry of this absent building had already been embossed into the paving (rotated on its ground line) with the pedestrianizing of Boulevard Shën Gjergji (BOLLES+WILSON Masterplan stage 1). This embedded history is now to be read in lasered text in Albanian (black on white) or English (white on black) on the new entrance ramp wall (the axis of rotation for the reanimated church geometry).
5) The old library interior is emptied for a spacious ‘one stop shop’ (public information). Here existing tiles and the wide span coffered ceilings are thematized (colour + integrated air outlets), the existing theatrical stairs gets a pink backdrop with scattered windows. (6+7)
6) Here existing tiles and the wide span coffered ceilings are thematized (colour + integrated air outlets).
7) The existing theatrical stairs gets a pink backdrop with scattered windows.
8) Part of the entrance level floor was removed for a stair that leads down to the new council chamber.
9) White public information islands are divided from individual offices by a lightweight glass wall.
10) Dividing – the council chamber from the Lobby. A translucent screen of green wine bottles was inserted between existing structural beams.
11) The floor slab removed for the council chamber creates a grand salon for political debate. Councillors desks are white, the visitors balcony pink (12+13)
14) Wine bottles set in mortar give an underwater ambience to council chamber.
15) Their open necks function as acoustic absorbers.
16) Councillors’ benches focus on the mayor’s desk, this is backed by a wooden screen with the double eagle Albanian national symbol.
17) Our client, the mayor Sotiraq Filo
18) A high clearstory window lights from the side
19) Next door to the new city hall an existing building (nineteenth century eclecticism) has been carefully restored for the offices of the mayor and his staff. It connects directly to the council chamber via a submerged tunnel (steps above). (19)
20) Within the mayors building – no architectural interventions were needed. It only remained for BOLLES+WILSON to apply a radical polychromy. (20,21,22,23)
Raakspoort – City Hall and Bioscoop
TYPOLOGY: Office / Leisure
COUNTRY: The Netherlands
CITY: Haarlem
YEAR: 2011
GFA: 18.500 sqm
CLIENT: MAB Development Nederland B.V.
AWARDS: NRW Jaarprijs, Best Retail Development, NL, 2013
Brick Award, Worldwide Brick, GB, 2012
PHOTOS: © Christian Richters
Transformative processes, particularly those relating to delicate fine-grained historic cities like Haarlem are complex and protracted. In the case of the Raaks project it took more than ten years to evolve from the considered Urban Masterplan (Donald Lambert – Kraaijvanger Urbis) through a sequence of workshops and program rethinks to the final ensemble, which opened in October 2011.
At the outset BOLLES+WILSON were given responsibility for the outermost block of this close packed, highly urban redevelopment precinct – which as it turns out (and as the masterplan prescribed) intertwines almost seamlessly with the adjacent small-scale urban fabric – a neighbourhood. The edge block must both shield (traffic) and invite (pedestrians), it must signal and respectfully take its place in the sequence of facades that define the historic limit of the medieval city. Initiating site workshops brought together neighbourhood representatives, city representatives, developers and architects – BOLLES+WILSON, Claus en Kaan, Jo Crepain and Kraaijvanger Urbis (who also had responsibility for the large format carpark below).
The complex functional mix began with one large and seven smaller Cinemas on the upper levels, a subterranean Casino and below that a parking deck (for croupiers and gamblers). Even at this stage the two functions were divided by a bisecting passage leading from the visible and representative outside facade to the networked block interior. The question of scale and historic referencing of the windowless
TYPOLOGY: Cultural
COUNTRY: Germany
CITY: Nebra
YEAR: 2004
COMPETITION: Invited competition
AWARDS: Special price
An observation Tower connects an archaeological dig to its wider landscape. Nearby the Corten clad visitors centre with its cargo of sky disk (4,000 years old sky map) paraphernalia wriggles a few metres above rolling fields casting at its extremity a laconic glance skywards.
TYPOLOGY: Residential
COUNTRY: Germany
CITY: Münster
YEAR: 1997
GFA: 4.950 sqm
CLIENT: LVM Versicherungen
PHOTOS: © Christian Richters
A knitting together of street lines and block interior in a modest scaled residential district. The theme is more Vitruvius’ comoditas than grand or explicit architectural narrative. Street lines, precise boundaries between public and private realms are anchored with a solid dark, oil-fired, almost industrial and implicitly north German brick plinth. In contrast the upper floors in white plaster transcend this intentional massivity through their material and geometric abstraction. The two layers dovetailed together framing private terraces and necessary setbacks.
The 26 apartments are vertically ordered. Small units suitable for elderly occupants or studio apartments with garden below, the larger first floor apartments have generous balconies while the upper two floors are organised as maisonettes. An urbane facilitating of daily life is in the interiors and layout achieved with a reduced material palette – wood, stone, plaster.