TYPOLOGY: Shopping // Retail, Leisure, Cultural
COUNTRY: The Netherlands
CITY: The Hague
YEAR: 2008
Masterplan 1997
Design Commercial Block 2005-2007
GFA: 36.400 sqm
CLIENT: ING Vastgoed, The Hague; Pathé Theatres B.V.
COLLABORATOR: Bureau Bouwkunde (facilitating architect)
AWARDS: Shopping Centre of the Year NL 2009
PHOTOS: © Christian Richters
The Spuimarkt is a permeable block, it hosts the life of the city (tides and eddies of shoppers), it leads Bioscoop and other leisure seekers dramatically upward, and perches them in grand foyers, outlook windows, privileged vantages. The Pathé cinema foyer is a Piranesian space, its stairs flow dramatically upward, they cross, they hover. Just arriving at one of the nine cinemas (2,270 seats) is a cinematic experience – along the way some of the best views in Den Haag.
A richly textured brick facade gives unity and dignity to the whole block; the tactility of the rotated and projecting bricks is comparable to a tweed jacket, its hand-made quality both abstract and traditional. Spuimarkt’s sculptured corporal autonomy is carefully dovetailed into the wider context, mediating between the Bijenkorf and the City Hall to form a trilogy of major urban statements. The building’s varying scales respond to the surrounding context, the grand Grote Marktstraat facade steps down behind to the more intimate street scale of Gedempte Gracht. The lower Pathé cinema entrance reflects the height of the traditional houses it faces.
The sinuous roof silhouette, moulded around the cinema within, is like a topographic landform; an anchoring that gives measure and scale to the complex Den Haag skyline.
TYPOLOGY: Masterplan
COUNTRY: The Netherlands
CITY: Hengelo
YEAR: 1998
COMPETITION: 1995
CLIENT: ING VASTGOED
PARTNER: Bureau Boukunde, Rotterdam
PHOTOS: © Christian Richters, BOLLES+WILSON
BOLLES+WILSON won the competition with a choreographed ensemble of heterogeneous objects:
digital klok – market day
THE SHORT LIFE OF A DIGITAL KLOK:
The BRINK campanile (Klok) forms a triangle with city hall + church towers. After 10 years the Klok came down with digital Alzheimer's. BOLLES+WILSON were asked for an avatar. The gold angel (local artist) blowing a raspberry in the direction of Enschede survived.
The market square has now undergone green washing, also the klok tower – we hope!!
(on the right – the condemned V&D)
TYPOLOGY: Research / Office
COUNTRY: Germany
CITY: Münster
YEAR: 2027
GFA: 2.694 sqm
CLIENT: Technologieförderung Münster GmbH
VISUALISATION: © engel & haehnel
The new addition to the BOLLES+WILSON 1993 Technology Centre, is a wedge filling the site between the existing connecting bridge and the southern street – now a boulevard of campus buildings. Laboratories, workshops + technical spaces occupy the extended two-floor arm. Six floors of offices occupy the tower.
TYPOLOGY: Cultural
COUNTRY: Albania
CITY: Korça
YEAR: 2017
CLIENT: Municipality of Korça
PHOTOS: © BOLLES+WILSON, Daniel Dervishi, Roman Mensing
Re-scripting Korca‘s theatre:
The theatre in Korca was initially a present from Moscow prior to Albanian Communism‘s falling out with Post-Stalinist Russia.
Its Soviet classicism was then stripped back to a sort of Balkan Art déco (Illus 1).
The large triangular Theatre Square, big enough for nationalistic parades, became a subject for re-formatting when in 2009 BOLLES+WILSON won the international planning competition for the historic centre of Korca. The main axis of the now almost fully implemented masterplan is the Bulevard Shën Gjergji (St. George), the new hub of the city, a pedestrian promenade (Illus 2) culminating in the Theater Square (now anchored by BOLLES+WILSON‘s 2014 Red Bar in the Sky – which focuses the Theatre Square, the concluding phase of the B+W 2009 masterplan. The campanile which functions as a lookout tower for Korcians to appreciate the delicate grain of their historic city is located at the end of the central pedestrian boulevard (landscaping by B+W).
The next intervention was the theatre itself – quite literally given a new face (or lots of new faces). Seating capacity was increased by converting a two-tier auditorium to a large raked plane (Illus 3 +4).
The design method as with all BOLLES+WILSON Albanian projects involved Peter Wilson‘s hand drawn concept (Illus 5) interpreted by a local facilitating office (in this case DEA Studio). A methodology that baits ‘lost in translation‘ misinterpretations (as was the case here when the contractors were found scratching their heads at a book of ‘Albanian Bling Renderings‘ but no details, a problem solved by Peter Wilson further sketching, this time 1:1 details direct on the wall).
The masks of comic and tragedy belong to theatre iconography, here they are joined by 140 smaller masks – the audience, hand crafted in terracotta by the local potter Vasillaq Kolevica (Illus 6+8). The 80 cm high individualized masks each occupy a grid square of the Art déco facade. The black tragic mask is convex, the white comic mask is concave – the construction principles for these were again hand sketched.
The comic mask is on a side annex (that now houses an internal grand stair), a cube clad in black basalt (Illus 10+13). The perimeter of the mask is defined by a stainless steel profile inside of which the white plaster indentation is recessed. The ominous black silhouette of the tragic mask is built up of polystyrene insulation blocks (Illus 11+12+14). Edge radii were sketched but ultimately a 1:1 demonstration with a bread knife was necessary to communicate the idea to he builders. The surface here is again plastered to resemble a giant Japanese ‘ No-theatre‘ mask (Illus 14+15).
TYPOLOGY: Masterplan
COUNTRY: Germany
CITY: Lingen
YEAR: 2022
~13 ha17 PLOTS (incl. the moated castle):
CLIENT: Stadt Lingen (Ems)
A business park in an apple orchard – the North German city of Lingen has the ambition to lay out this attractive work environment with a minimal of sealed surfaces, cars disappear underground below buildings or below landscaped terraces.
Meadows facilitate birds and insects, site drainage and rainwater retention pools generate natural sports and `break-out´ spaces from office pavilions made of wood and recycled brick.
The BOLLES+WILSON 2022 Masterplan was commissioned by the Lingen Planning Office and is currently in the making.