Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters

Raakspoort

Detail

Raakspoort – City Hall and Bioscoop

TYPOLOGY: Office / Leisure

COUNTRY: The Netherlands

CITY: Haarlem

YEAR: 2011

GFA: 18.500 sqm

CLIENT: MAB Development Nederland B.V.

AWARDS: NRW Jaarprijs, Best Retail Development, NL, 2013

Brick Award, Worldwide Brick, GB, 2012

PHOTOS: © Christian Richters

Transformative processes, particularly those relating to delicate fine-grained historic cities like Haarlem are complex and protracted. In the case of the Raaks project it took more than ten years to evolve from the considered Urban Masterplan (Donald Lambert – Kraaijvanger Urbis) through a sequence of workshops and program rethinks to the final ensemble, which opened in October 2011.

At the outset BOLLES+WILSON were given responsibility for the outermost block of this close packed, highly urban redevelopment precinct – which as it turns out (and as the masterplan prescribed) intertwines almost seamlessly with the adjacent small-scale urban fabric – a neighbourhood. The edge block must both shield (traffic) and invite (pedestrians), it must signal and respectfully take its place in the sequence of facades that define the historic limit of the medieval city. Initiating site workshops brought together neighbourhood representatives, city representatives, developers and architects – BOLLES+WILSON, Claus en Kaan, Jo Crepain and Kraaijvanger Urbis (who also had responsibility for the large format carpark below).

The complex functional mix began with one large and seven smaller Cinemas on the upper levels, a subterranean Casino and below that a parking deck (for croupiers and gamblers). Even at this stage the two functions were divided by a bisecting passage leading from the visible and representative outside facade to the networked block interior. The question of scale and historic referencing of the windowless

Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Ansicht, elevation
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Christian Richters
Raakspoort, Raaks, Haarlem, the Netherlands, Lageplan, site plan
Raakspoort, Raaks, Haarlem, the Netherlands, Grundriss, ground floor
dub house_haus dub_munster

Dub House

Detail

TYPOLOGY: Residential

COUNTRY: Germany

CITY: Münster

YEAR: 1993

PHOTOS: © BOLLES+WILSON

The principal element, a Blue Glazed Brick Wall corrects a disastrous alteration and also breaks the tyranny of uniform ceiling height.

The second added element, a Zinc Clad Studio Box stands adjacent the Blue Wall. The two set up an external and internal play – geometric volumes – the abstract language of the plan respected and developed.

A very modest commission, careful details with the potential of enhancing the everyday lives of their users.

dub house_haus dub_munster
dub house_haus dub_munster
dub house_haus dub_munster
dub house_haus dub_munster
dub house_haus dub_munster
Mittehafen_Munster_Aerzteversorgung_Competition

Mittelhafen

Detail

TYPOLOGY: Competition / Office

COUNTRY: German

CITY: Münster

YEAR: 2020

COMPETITION: Closed competition, 2nd Prize

GFA: 12.740 sqm

CLIENT: Ärzteversorgung Westfalen-Lippe

Both the property side facing the city port and the street side to “Am Mittelhafen” require representative façades. Therefor a building in the north-south axis is required, which fills the property over the entire length. The two narrow views speak a suitably dignified language – to the waterfront through an invigorating silhouette that adds a building with personality to the row of existing office buildings. The opposite side facing the street is emphasized by an expressive façade – in contrast to the buildings in the immediate vicinity, which do not have such a concise addresses. This gives the quarter a much needed “urban flair”.

Mittehafen_Munster_Aerzteversorgung_Competition_Elevation_Ansicht
Mittehafen_Munster_Aerzteversorgung_Competition
Mittehafen_Munster_Aerzteversorgung_Competition_Elevation_Ansicht
Mittehafen_Munster_Aerzteversorgung_Competition_Plan_Grundriss
Mittehafen_Munster_Aerzteversorgung_Competition_Plan_Grundriss
Mittehafen_Munster_Aerzteversorgung_Competition_Section_Schnitt
Mittehafen_Munster_Aerzteversorgung_Competition

RS+Yellow Distribution – Phase 1

Detail

TYPOLOGY: Warehouse, Villa

COUNTRY: German

CITY: Münster

YEAR: 1993

GFA: 5.810 sqm

CLIENT: Rainer Scholze

PHOTOS: © Christian Richters, © Gabriele Bracht,
© El Croquis, © BOLLES+WILSON

The 1990-93 shiny aluminum shed was the first of three big-box warehouse buildings built successively side by side to store and distribute furniture for the ever-expanding chain of RS + Yellow Shops. As well as this home base BOLLES+WILSON built for the same company shops/outlets in Münster, Hannover, Munich and Berlin.

The dimensions and form of the 1993 RS+Yellow Distribution – Phase 1 were prescribed by the ruins of a half-built industrial structure. The problem was to economically clad this given form.

The skin of corrugated aluminum has been seen as a reference to Australian wool sheds, a typology here projected to a length of 120 m. It landed like a UFO in its fragmented peripheral context. At the time B+W were propagating such large self-evident forms (see Technologyhof Münster 1993) to anchor and give scale to the fragmentation of ubiquitous post-industrial Eurolandschaft Fields.

The critical detail for RS+Yellow Distribution – Phase 1 was the façade section, two intersecting plates of shiny metal. Avoiding a capping plate as well as regular downpipes, that would compromise such a pure extended surface, runoff water from the barrel-vaulted roof courses down the inside surface of the upper façade panel to be delivered in turn by the lower façade panel into a pebble drain at ground level.

The rear end of this super-shed housed the office of the company owner, this subsequently moved to the spectacular Waterscape rooftop of RS+Yellow Distribution – Phase 2 built directly beside RS+Yellow Distribution – Phase 1. A third adjacent big-box was to be capped by the client’s rooftop villa (RS+Yellow Distribution – Phase 3) but his tragic death meant that it was completed as meeting rooms, standing in another infinity pool.

The 120 m façades give measure to its context.
New poplar trees, planted by the client, accompanied RS+Yellow Distribution – Phase 1 and also RS+Yellow Distribution – Phase 3.
Facade Section: Rainwater flows down behind the upper corrugated aluminium sheet and is fed by the lower aluminium sheet into the pebble drainage.
Office and delivery bays at the rear end.
The office entrance punctures the sail-like façade. Entry buzzers have an umbrella-like canopy.
Interior storage racks
office space

Albanian Football Association Headquarters Tirana

Detail

TYPOLOGY: Administration Offices

COUNTRY: Albania

CITY: Tirana

YEAR: 2020

PHOTOS: © Roman Mensing, BOLLES+WILSON

LOCAL ARCHITECTS: APE Shpk

The commission was first for the reuse of a derelict crescent shaped communist building, (Illus 2A), not a comfortable fit for open plan offices and upper level president and executive council rooms. `X´columns were here invented to support the top-heavy layout. These survived the decision to demolish and build a new headquarters. Both layouts framed a green field site embraced by a ring of trees. Existing pines were also retained.

Layout – Four levels of open plan offices lurk behind the ambulant `X´ Colonnade. These are for the various departments: event management, national team dept, marketing, referees, finance, legal, human resources, drivers etc. (Illus. 7 + 8).

The rear side entrance is themed green and blue with a canopy and raised entrance plaza above a press and conference

 room for 180. (Illus. 9. 3.4.5.6.)

Albania is now embedded in the UEFA international football circuit and the success of their HQ has led to the 2925 commission for BOLLES+WILSON to design a partner building on the same site – A 5-star Hotel for the Albanian National Team (Illus. 14).

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2A
2B
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9A
9B
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ALBANIAN FOOTBALL ASSOCIATION NATIONAL TEAM HOTEL
A SECOND BUILDING ON THE SAME SITE.
2025-2029