Kita 102
TYPOLOGY: Educational
COUNTRY: Germany
CITY: Frankfurt
YEAR: 1992 / 2014
CLIENT: Stadt Frankfurt
AWARDS: German Architecture Award 1993, Commendation
PHOTOS: © Waltraud Krase (1992), Rainer Mader (2014)
The 1992 Kita 102 in Frankfurt – Griesheim was one of BOLLES+WILSON’s first buildings in Germany. 22 years later it has been extended. What does it mean to revisit an early work? To measure if it has stood the test of time? Or even if the architectural themes of that time are still pertinent today?
What is immediately obvious is that a generous two floor, curvaceous and somewhat expressive sculpted volume is no longer feasible under today’s stringent budget restrictions (the political promise to deliver a kindergarten place for every child). The new extension is single storey, docking on to and sloping down from, an original 7 m high sport and sleeping hall.
The 3 original ground floor classrooms were for conventional pre-school kindergarten use, and the upper 2 rooms after-school homework facilities for older kids. The 3 new ground level classrooms extend kindergarten functions, kids can run out directly from group to garden.
The original building expands in width and height, a conical volume explained at the time as a metaphor for growing – spaces expand and contract as kids run from one end to another. A narrative scenario that extended to details like 2.10m high doors for teachers beside 1.50 m doors only for kids. Draconian budgets preclude such whimsical game playing in the new extension, perhaps it is also no longer the time for architecture to reflect on its syntactical potential. In the original Kita four windows conspired to inscribe a giant letter K across the facade. A readable building for children who are learning to read. Today it is left to colour to signify. A thematized May-Green has been here co-opted (as in almost every second contemporary Kindergarten) to signal a fresh, playful optimism. It is the only internal colour. Also a green horizontal beam/gutter above a south facing glass facade benevolently grows extended sun-blinds (also May green) to wrap the sunny side in a Mediterranean-like slab of shade. Window articulation is no longer expressive, a tough neighbourhood requires defensive measures if night cooling is to be activated.
What was in 1993 described, as an east-west slab turning its back to the noise of a nearby autobahn is now a very long east west slab, still turning its back and opening southward to an extended linear play-ground.
Napoli Bagnoli
TYPOLOGY: Competition / Area development / Masterplan
COUNTRY: Italy
CITY: Naples
YEAR: 2020
COMPETITION: Closed competition
COLLABORATORS: OTTAVIANI ASSOCIATI, GREENCURE landscape & healing gardens, Gianluca Peluffo&Partners Architettura srl, Nicola Gallinaro
The proposal is based on two complementary strategic choices: the interpretation of the park as a green flow, made up of a great variety of landscapes within which there are clearings that welcome the various episodes of industrial archeology, and the redesign of the seafront in continuity up to the island of Nisida, making it possible to expand the space for the beach and the Porto Turistico.
Modern Administration of Potsdam-Mittelmark
TYPOLOGY: Competition / Office
COUNTRY: Germany
CITY: Potsdam
YEAR: 2022
COMPETITION: Closed two-phase competition, 1st Prize
GFA: 23.000 sqm
CLIENT: District of Potsdam-Mittelmark
COLLABORATORS: Lindschulte+GGL Ingenieurgesellschaft mbH, Gerhardt Landschaft, Nees Ingenieure GmbH
The structural design for the administration building on the site of the historic Beelitz sanatorium was based on the winning design by B+W for the previous urban planning competition.
By following the course of the original footpaths, the new building blends gently into the park landscape. The restored circular hiking trail in the historic park serves as a “natural” construction limit and forms the connection to the listed building.
The south side of the new building develops parallel to the street and mediates between the alignments of the different existing buildings and the traffic routes.
Public and semi-public functions such as the entrance hall, conference center, advice center and canteen are lined up in the base. The three upper floors form the main building that is visible from afar and house the office and administration area. Towards the park, like the base, it leans against the circle of the historic circular path, while towards the street sides the volume is structured into individual sections by a wave shape.
Shkodra Football Stadium
TYPOLOGY: Sport
COUNTRY: Albania
CITY: Shkodra
YEAR: 2017
PHOTOS: © Roman Mensing, BOLLES+WILSON
The 2017 football stadium in the northern Albanian city of Shkodra was a fast-track project – Albania had to host the ritual skirmish with Serbia. To marshal Riotous Serbian fans corral-like platforms were built – each restrains 500 fans within the heavy steel perimeter rail. These raked platforms were as naked concrete an illustration of Louis Kahn’s statement (that a buildings sculptural essence is only visible while under construction or as a ruin). The colours of the Shkodra team are a manly pink and light blue. Finished the pink reverse side of the stadium corrals offer a dramatic backdrop for informal urban life. The new main stadium with V.I.P. deck + press box is lit from up lights reflecting on white circles (see sketch). Existing stadiums were upgraded with a wind animated screen.
RS+Yellow Furniture
TYPOLOGY: Retail
COUNTRY: Germany
CITY: Münster
YEAR: 2003
GFA: 7.700 sqm
CLIENT: Rainer Scholze
AWARDS: Award for Exemplary Corporate Architecture in NRW 2004
PHOTOS: © Christian richters
‘A staging of shopping’. The widespan shop outlet typology usually situated on the periphery is here reconstituted as an urban facade, city near and addressing the city bound / city exiting traffic. Three stores (RS, Yellow, Brands) with an overall shop area of 5.000 m2 cluster with warehouse and delivery bays, around an internal parking piazza. An advertising tower erupts on one corner, a supersign, a new actor in the quartier’s tower landscape (Trinity Church and Fire Station Tower).
A theatrically proportioned roof frames the pedestrian/car entrance. This transition space is a constructed perspective (rejecting any ideal viewing point), a reciprocal scenographic framing of inner and outer world. The hovering roof grows out of and connects the two larger shops. Logistics are critical – 18 m long lorries cross the piazza and disappear into the building.
The exaggerated scale of the wooden window frames in RS (which sells wooden furniture) are stacked like boxes (These 35 cm wide frames sidestep a local building regulation that prohibits wooden facades on retail structures). A dialogue between contained and container that continues in the interior detailing. Both structure (prefabricated concrete) and the materiality (fibre-cement panels) of the facades respond with an economic and systemized appropriateness to the ‘outlet’ building type.
