2 Harbour Buildings
TYPOLOGY: Office
COUNTRY: Germany
CITY: Münster
YEAR: 2006
GFA No. 14: 6.400 sqm
GFA No. 16: 5.000 sqm
CLIENT: LVM Versicherungen, Julia B. Bolles-Wilson, Peter Wilson
PHOTOS: © Rainer Mader, Christian Richters
Like its big brothers in Rotterdam, Hamburg, London or Genoa, Münsters canal harbour (released from servitude) is in the process of becoming – but what – a new urban quartier, bar and café mile, victim of city-event culture or melancholic post-industrial hangout for artists and architects.
No. 14 and No. 16 like their warehouse predecessors are ambivalent as to exactly what goods or activities they host. Deep (22 m) loft plans facilitate a multitude of layouts. Facades on the other hand are specific, material and character giving.
No. 14, a sharply sculptured orange end building turns out on close inspection to be a stack of bricks close-packed in North-South direction (heads to harbour and street, sides to the end walls), an overt tactility eclipsed by flush mounted sun blinds. Seen from afar the overall volume has photoshop-like graphic quality, a designed lack of depth.
A ballet of sun-louvers also animates the South harbour-facing and predominately glass facade of No. 16. A stepped curtain creating (on sunny days) an intermediate zone between inside and out. Without the obligation of transparency (harbour panorama) or sun protection (North) the street facade of No. 16 conjures a tapestry of muted anodised colour, generous glass squares and 3D projections.
Morse code: The attentive viewer will also discover a 3 cm high ‘dot-dash’ inscription on the lower verge of each balcony, the work of the Dutch artist Milou van Ham. Old Barge Captains and ‘persevering school classes’ will decipher the text:
good day! you are (now) reading a building (2005- ) by BOLLES+WILSON (1980- ). you are (now) reading an artwork (2005- ) by milou van ham (1964- ). you are (now) reading morse-code (1837-2000) by samuel morse (1791-1872). you are (now) in the harbour (1898-2005- ) of muenster (793- ). end
Von-Galen-Grundschule
TYPOLOGY: Competition / School
COUNTRY: German
CITY: Gescher
YEAR: 2023
COMPETITION: Closed competition, 3rd Prize
COLLABORATOR: wbp Landschaftsarchitekten GmbH, Bochum
GFA: 4.117 sqm
CLIENT: Glockenstadt Gescher
The design carefully combines the historic building fabric with a modern extension. The existing façades are preserved and linked by a central, wedge-shaped structure that forms the heart of the school with its cafeteria, auditorium, and foyer.
All areas are fully accessible, with outdoor spaces clearly defined: a large playground to the north, a nature-oriented learning zone to the southwest, and a green entrance courtyard to the southeast. The foyer serves as a central meeting point and hub, connecting classrooms, multipurpose spaces, and flexible learning areas.
The new building respects the historic architecture while reinterpreting its language in a contemporary way—creating a school that is open, functional, and identity-shaping for students, staff, and the city of Gescher.
Innovative Administration of Potsdam-Mittelmark
TYPOLOGY: Competition / Office
COUNTRY: Germany
CITY: Potsdam
YEAR: 2022
COMPETITION: Closed two-phase competition, 1st Prize
GFA: 23.000 sqm
CLIENT: District of Potsdam-Mittelmark
COLLABORATORS: Lindschulte+GGL Ingenieurgesellschaft mbH, Gerhardt Landschaft, Nees Ingenieure GmbH
The structural design for the administration building on the site of the historic Beelitz sanatorium was based on the winning design by B+W for the previous urban planning competition.
By following the course of the original footpaths, the new building blends gently into the park landscape. The restored circular hiking trail in the historic park serves as a “natural” construction limit and forms the connection to the listed building.
The south side of the new building develops parallel to the street and mediates between the alignments of the different existing buildings and the traffic routes.
Public and semi-public functions such as the entrance hall, conference centre, advice centre and canteen are lined up in the base. The three upper floors form the main building that is visible from afar and house the office and administration area. Towards the park, like the base, it leans against the circle of the historic circular path, while towards the street sides the volume is structured into individual sections by a wave shape.
Cinnamon Tower
TYPOLOGY: Residential
COUNTRY: Germany
CITY: Hamburg
YEAR: 2015
COMPETITION: 2006, 1st prize
GFA: 4.250 sqm
CLIENT: Gross & Partner
AWARDS: Deutscher Architektur Preis 2017 (commendation) for Harbour Masters Building Ensemble, BDA Hamburg Architecture Award 2016 (1st prize), German Facade Award for rear-ventilated facades 2015 (commendation)
NOMINATIONS: Mies van der Rohe Award 2017, Polis Award 2017 for Harbour Masters Building Ensemble
PHOTOS: © Christian Richters (tower) | Rainer Mader (pavilion)
The Cinnamon tower was conceived as freestanding campanile – a pin on a piazza was the concept behind the premiated competition design by BOLLES+WILSON for the existing 19th century Harbour Masters Building.
A tower was not anticipated in the competition programme, but the jury agreed that a tower anchors the public functions around the only remaining historical building to survive between the megablocks of the ‘Overseas Quarter’ master plan. The historic building will also be more autonomous.
Slenderness is essential for a campanile. Over the course of its 8-year gestation this was respected – even while its function mutated from stacked restaurants to housing. The 13 x 16 m floor plan tapers towards the top. With a height of 56 meters the tower is 4-times higher than it is wide.
How can such a thin chap be efficient?
The efficient answer is duplex apartments. Originally the concept foresaw seven apartments, each on 2 floors, a panoramic living deck on the upper level and bedrooms with punched windows below. Precise market analysis led to a variation of this formula: one triplex apartment at the top and some 1-floor apartments at lower levels. Built were ten apartments, four with 130 sqm, five with 185 sqm and one with 300 sqm. The tower has a gross floor area of 4.300 sqm and a volume of 16.000 cubic metres. At the ground level, the piazza level is a commercial area of around 300 sqm.
Strict high-rise regulations demanded an escape route from every floor via secured escape stair. The possibility to clean every window from the inside was also a criterion to be met. The spectacular view of the New Elbphilharmonie should not be blurred by dirty windows. Room-high windows on three sides of the living room also allow the tracking of incoming cruise ships.
Facade panels of anodized aluminium sheets in different gradations of dark red correspond to the patchwork of BOLLES+WILSON’s pavilion from 2008. This was the first realized component of the Harbour Masters ensemble. In sunlight these aluminium panels take on colourful nuances while on cloudy days they assume a darker, more serious Paul-Klee like appearance. This is a building that changes its character according to the incidence of light, a new figure on Hamburg’s skyline.
100 West Cromwell Road
TYPOLOGY: Mixed Use
COUNTRY: UK
CITY: London
YEAR: 2008
CLIENT: Brookfield Development (UK) LTD, TESCO Stores Limited
PHOTOS MODEL: © Julian Vogt
The raked tower silhouette terminates the wide street axis for those exiting London westward. At its base the tower extends horizontally, a Fitness Arm (window to pool) frames the Tesco Plaza. The E Form begins at the third floor concourse, above existing carpark decks. The south elevation is glazed (winter gardens); the east and west are dark rippled ceramic.
Community Use: The inclusion of an additional swimming pool for the sole use of the local community has increased the Gross Internal Area of the community facility by some 30%. A Community Trust will be established to manage the pool and associated facilities.
