Modern Administration Potsdam-Mittelmark_Moderne Verwaltung Potsdam-Mittelmark_MoVe_Potsdam_Competition_Entrance

Innovative Administration of Potsdam-Mittelmark

Detail

TYPOLOGY: Competition / Office

COUNTRY: Germany

CITY: Potsdam

YEAR: 2022

COMPETITION: Closed two-phase competition, 1st Prize

GFA: 23.000 sqm

CLIENT: District of Potsdam-Mittelmark

COLLABORATORS: Lindschulte+GGL Ingenieurgesellschaft mbH, Gerhardt Landschaft, Nees Ingenieure GmbH

The structural design for the administration building on the site of the historic Beelitz sanatorium was based on the winning design by B+W for the previous urban planning competition.

By following the course of the original footpaths, the new building blends gently into the park landscape. The restored circular hiking trail in the historic park serves as a “natural” construction limit and forms the connection to the listed building.

The south side of the new building develops parallel to the street and mediates between the alignments of the different existing buildings and the traffic routes.

Public and semi-public functions such as the entrance hall, conference center, advice center and canteen are lined up in the base. The three upper floors form the main building that is visible from afar and house the office and administration area. Towards the park, like the base, it leans against the circle of the historic circular path, while towards the street sides the volume is structured into individual sections by a wave shape.

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rs yellow distribution_munster_markus hauschild

RS+Yellow Distribution – Phase 2

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TYPOLOGY: Light Industrial, Office

COUNTRY: Germany

CITY: Münster

YEAR: 2009

GFA: 9.200 sqm

CLIENT: Rainer Scholze

AWARDS: German Façade Award 2010

PHOTOS: © Guido Erbring, Markus Hauschild, Christian Richters

When is a warehouse a lake? – in Münster.

This is the third BOLLES+WILSON building for the German-wide furniture chain RS+Yellow, an extension of the homebase storage and distribution centre by 7,000 sqm. The new rectangular building volume stands adjacent to the original 1992 corrugated aluminium warehouse.

The 60 x 66 m two stores ‘Big-Box’ is (as is usual for industrial architecture) reduced to a regular grid of pre-cast columns and widespan floor slabs. Facades are a standard lightweight concrete system. Verticality is emphasised with pyjama colour stripes interspersed with zinc coated grid stripes. These absorb all windows and necessary smoke outlets into an uninterrupted colour curtain.

This warehouse and even perhaps the 1,500 sqm of offices above the delivery bays are precisely realised but relatively conventional. The big surprise comes on arriving at the rooftop meeting rooms and executive offices. Through the intervention of the fire brigade (choreographed alarm) the roof of the building has been flooded – a 45 x 65 m reflecting pool.

The edge detail, laser levelled into invisibility, increases the metaphysical unreality of this sky reflector. Underwater compartments eliviate the risk of mini-tsunamis. Spillage is collected in edge channels and channelled to an internal cistern.

A wooden boardwalk fronts the large format sliding glass facade. A pier extends out to the centre of the water world. Here one can sit surrounded by geometric groves of bamboo. From here the south facing glass front of the roof pavilion reflects again the rippling expanse of water. The facade itself is shaded by a projecting steel pergola and a curtain of louvers descending at the press of a button from its outer edge.

This choreographed overlap of inside and outside, of natural and artificial, of direct and reflected light, create a unique atmosphere which could be described as an industrial scaled Japanese Tea-House.

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Offices with open sun louvres
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Offices with closed sun louvres
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View over the rooftop pool
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View from the office with open sun louvres
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View from the office with closed sun louvres
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Warehouse façade
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Fire brigade flooding the pool
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Pool getting filled
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Ground floor plan
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Upper floor plan
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Section
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Cologne-Muelheim Harbour District

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TYPOLOGY Masterplan

COUNTRY: Germany

CITY: Cologne

YEAR: 2013 – (2015)

COMPETITION: 2013, dialogic planning process
‘Werkstattverfahren Mülheim Süd Inkl. Hafen’

CLIENT: Stadt Köln

After a dialogic planning process in 2013, the two competing planning teams around kister scheithauser gross (Cologne) and BOLLES+WILSON have teamed up for the next planning stage. The development of Mülheim’s harbour district is still an on-going process integrating various interests and disciplines. The masterplan for this 52 ha harbour area preserves various grand industrial spaces to create a new district with a unique character and atmosphere.

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red bar in the sky_korca_roman mensing

Red Bar in the Sky

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TYPOLOGY: Public
COUNTRY: Albania
CITY: Korça
YEAR: 2014
CLIENT: Municipality of Korça
PHOTOS: © Andronira Burda, Daniel Dervishi, Nico Peleshi, Roman Mensing

In time for Christmas 2014 the city of Korça in Albania realized BOLLES+WILSON’s design for a campanile – the Red Bar in the Sky. It focuses the Theatre Square, the concluding phase of the B+W 2009 masterplan (International Competition 1st prize). The campanile which functions as a lookout tower for Korcians to appreciate the delicate grain of their city is located at the end of the central pedestrian boulevard ‘Shën Gjergji’ (landscaping by B+W). Opened in winter the Red Bar in the Sky was accompanied by an ice skating rink installed by Greek skating specialists.

Related project:
Masterplan Korça City Centre, 2009, 1st prize

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Theatre Square with Red bar in the Sky
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Sketch with ice rink
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Ice rink in front of the Red Bar in the Sky in winter
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Boulevard Shen Gjergji with christmas lights and Red Bar in the Sky
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View from the top over the Boulevard Shen Gjergji
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Korça City Centre Masterplan
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Siteplan
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Red Bar in the Sky
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Plans and elevations
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Photo before the construction
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Loddenheide Water Purification Plant

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TYPOLOGY: Technical

COUNTRY: Germany

CITY: Munster

YEAR: 2021

PHOTOS: © Christian Richters, © BOLLES+WILSON

40 Years of Water Research – 20 years of Water Pumping

The 2001 Loddenheide Water Filtration Plant is almost BOLLES+WILSON’s smallest building. It has for the last 20 years been cleaning and filtering road runoff before it lands in the re-absorption pond of the Loddenheide Business Park. The pond itself is a re-naturalizing success, now a bird sanctuary for countless water foul. The glazed vitrine of the pump house now stands serenely in winter snow or spring blossom. Its machines turn two Archimedes Screw Pumps, aerating the water before splashing into a circular filtration tank. The rectangular plan geometry of the first is set against the circular form of the second. A line of poplar trees, now fully grown, bisects these two fundamental geometries. For those inexperienced at reading metaphoric content into infrastructural equipment the fences surrounding the two machines come with subtext – although the supergraphic H2O on the fence mesh is not readable when approached front on, only when seen in the oblique is it there to underline the theme of ‘Water’.

The Business Park was at the outset renamed Freedom Park by the Dalai Lama, then visiting Münster. The Dalai Lama Commemoration Stone stands 120 meters away from the pumping facilities – just follow the line of poplars. It is certainly BOLLES+WILSON’s smallest work. To read its text one must walk three times around the dark green stone. We like to believe that the rainy day inauguration photo documents the Dalai Lama gleefully asking Münsters lady Mayor – ‘Is it really a BOLLES+WILSON design’.

BOLLES+WILSON water research began in 1976 with Peter Wilson’s Iconic Water House. In 2018 the watery trajectory continued with the second warehouse for RS+Yellow both with ‘Infinity Pool’ roofs.

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Loddenheide Water Filtration Plant
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H2O graphic on the fence mesh
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Model
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Construction
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Design for the Dalai Lama Commemoration Stone
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The Dalai Lama Commemoration Stone
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Rainy day inauguration with Dalai Lama and the then mayoress
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After twenty years the line of poplar trees have grown to divide Pumphouse from Circular Airation Basin, a formal seperation envisiged in the original compositional concept.